1867-1925 Guy Rose Galleries Guy Rose (3 March 1867?C17 November 1925) was an American Impressionist painter who is recognized as one of California's top impressionist painters of the late 19th and early 20th centuries. Guy Orlando Rose was born March 3, 1867 in San Gabriel, California. He was the seventh child of Leonard John Rose and Amanda Jones Rose. His father was a prominent California senator. He and his wife raised their large family on an expansive Southern California ranch and vineyard?? the San Gabriel Valley town of Rosemead bears the family name. In 1876 young Guy Rose was accidentally shot in the face during a hunting trip with his brothers. While recuperating he began to sketch and use watercolors and oil paints. He graduated from Los Angeles High School in 1884 and moved to San Francisco where he did his art training at the California School of Design. In September 12, 1888, Rose enrolled at the Academie Julian in Paris and studied with Benjamin-Constant, Jules Lefebvre, Lucien Doucet and Jean-Paul Laurens while in Paris. In 1888-89, he won a scholarship at the Academie Delacluse. He met fellow students Frank Vincent and Frederick Melville at the Academie Julian -- Frank Vincent and Guy Rose were to remain lifelong friends. Rose lived New York, New York in the 1890s and illustrated for "Harper's," "Scribners," and "Century". Choosing to return to France in 1899, he and his wife Ethel Rose bought a cottage at Giverny. In 1900 he resided in Paris and spent the winter in Briska, Algeria where he painted three known paintings. From 1904 to 1912 husband and wife lived in Giverny and his works from this period show the influence of "the master" Claude Monet, who became his friend and mentor. In 1913-1914 the Roses summered in and held an outdoor sketching school at Narragansett, Rhode Island. Suffering on and off again from the effects of lead poisoning, Rose and his wife moved permanently to Los Angeles, California in 1914. In Los Angeles, Guy Rose taught and served as Director of the Stickney Memorial School of Art in Pasadena. In 1921 he suffered a debilitating stroke that left him paralyzed. Guy Rose died in Pasadena, California on November 17, 1925. In 1926 the Stendahl Gallery held a memorial exhibition of his works.  Related Paintings of Guy Rose :. | The Model | La Grosse Pierre, Giverny | Laguna Eucalyptus | Scan of painting | The Blue Kimono |
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Henry Singleton
British Painter, 1766-1839,English painter and illustrator. His father died when he was young, and he was brought up by his uncle, the miniature painter William Singleton (d 1793). In 1782 he entered the Royal Academy Schools in London and in 1784 won a silver medal for a drawing from life, exhibiting at the Royal Academy for the first time the same year. He showed considerable promise and in 1788 won a gold medal for a painting inspired by John Dryden's ode Alexander's Feast that was especially praised by Reynolds. In 1793 Singleton was commissioned by the Royal Academy to paint the group portrait the Royal Academicians Assembled in their Council Chamber (London, RA). He soon became noted for his paintings inspired by the Bible and from literary sources, among them Manto and Tiresias (exh. 1792; London, Tate) from John Dryden's Oedipus, and for his depictions of contemporary historical events, of which the watercolour Design Commemorative of the Abolition of the Slave Trade (1807; London, BM) is an example. Many of his works were engraved in mezzotint and achieved a widespread popularity. He also painted portraits, the writer James Boswell (c. 1795; Edinburgh, N.P.G.) being one of his sitters. Many of Singleton's later works are inclined to be sentimental and were carelessly executed; they were often intended solely for engraving.
Per Wilhelm Cedergren
painted Winter picture from Dalaro Skans in 1856
Leonardo Alenza Y Nieto
b Madrid, 6 Nov 1807; d Madrid, 30 June 1845 Spanish painter and illustrator. He studied at the Real Academia de S Fernando, Madrid, under Juan Antonio Ribera y Fern?ndez and Jos? de Madrazo y Agudo. He worked independently of court circles and achieved some fame but nevertheless died in such poverty that his burial was paid for by friends. He is often described as the last of the followers of Goya, in whose Caprichos and drawings he found inspiration for the genre scenes for which he became best known. Of these scenes of everyday life and customs the more interesting include The Beating (Madrid, Cas?n Buen Retiro) and Galician with Puppets (c. 1835; Madrid, Cas?n Buen Retiro; see SPAIN, fig. 17). Alenza y Nieto's numerous drawings include the illustrations for Alain-Ren? Lesage's Gil Blas (Madrid, 1840), for an edition of the poems of Francisco de Quevedo published by Castello and for the reviews Semanario pintoresco and El Reflejo. The painting Triumph of David